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b. 606
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, the last note in the R.H. is a semiquaver, which is inconsistent with the demisemiquaver rest that precedes it. We correct this mistake in an obvious manner by shortening that note to a demisemiquaver. In GE and EE, the place was revised in the same way. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Rhythmic errors |
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b. 606-607
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composition: Op. 31, Scherzo in B♭ minor
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Just like in b. 23-24, in FE (→EE) this pair of bars was replaced with a double bar with a two-bar rest marked with the digit 2. In GE1 the bars were not combined, yet in each of them both rests were provided with the digits 1. In the main text we preserve the notation of A (→FC), restored also in GE2 (→GE3). category imprint: Differences between sources issues: GE revisions , FE revisions |
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b. 607-611
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composition: Op. 39, Scherzo in C♯ minor
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In bars 607 and 611 in EE, there are (short) accents both in the LH and RH parts. It is uncertain that such a version is authentic (cf. 606-620). The accents in GC (marked in bars 575 and 579) may be interpreted both as long or short. In GE they were read as short ones. For the main text we adopt the long accents of FE. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , EE revisions |
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b. 607
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composition: Op. 11, Concerto in E minor, Mvt I
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The vague and most probably erroneous notation of FE was probably supposed to look like the one applied two bars later – a d2 minim preceded by an a2 grace note. We adopt this obvious interpretation in the main text; it was applied already in EE. In turn, the version of GE may be the original version, completed by Chopin in the last proofreading of FE. We give a short grace note as an acceptable variant – see bar 609. category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Errors in FE , Errors resulting from corrections , Authentic corrections of FE |
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b. 607-608
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composition: Op. 11, Concerto in E minor, Mvt I
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Omission of two subsequent slurs in a sequence of similar figures of accompaniment must be an inaccuracy, although it is uncertain whether it was committed in FE (→GE1→GE2) or still in [A]. This is how it was already assessed in EE and GE3 (see also bar 599 and 611). category imprint: Differences between sources issues: GE revisions |
