b. 453
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composition: Op. 39, Scherzo in C♯ minor
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In FE the bottom notes in both RH and LH are wrong: instead of E1 there is F1, while instead of g there is f. category imprint: Source & stylistic information issues: Errors in FE |
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b. 453-478
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composition: Op. 39, Scherzo in C♯ minor
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Despite the consistent graphic representation the GC slurring raises doubts as to the correct reading of Chopin's intentions. Even in this part in GE based on this manuscript, the GC slurs were never copied according to its notation (but slurs for LH were added) category imprint: Differences between sources issues: GE revisions |
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b. 453-462
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composition: Op. 21, Concerto in F minor, Mvt III
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The crossings-out visible in A in bars 453-454 and 461-462 allow us to reconstruct the two previous versions of the accompaniment in these bars: The first version appeared in [AI] probably also in bars 421-422, which is proved by certain remaining elements thereof in the notation of A (and which explains them at the same time) – cf. both notes on the L.H. in bar 422. If one of the previous versions was also in bars 413-414, one could conclude that Chopin's concentration was decreasing as he was copying similar phrases:
category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Accompaniment changes |
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b. 453-462
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composition: Op. 21, Concerto in F minor, Mvt III
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The whole-bar slurs in the L.H. in bars 453-454 and 461-462 is a typical inaccuracy of GE1 (→FE→EE). category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 453
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composition: Op. 21, Concerto in F minor, Mvt III
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category imprint: Editorial revisions |