Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
(Op. 4), Sonata in C minor, Mvt IV
All sources feature a to the G quaver. This accidental, in A written at the pitch of B, is a remaining element of the initial version, in which the 2nd half of the bar was the same as in the preceding bar. According to us, it could have been the initial version, changed in order to achieve a smoother transition – without repeating C – between the bars, or simply a mistake, consisting in copying the fragment of the preceding bar. In the main text we omit this unjustified accidental.
Compare the passage in the sources »
category imprint: Editorial revisions; Corrections & alterations; Source & stylistic information
issues: Corrections in A, Errors resulting from corrections
notation: Pitch