



b. 298
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composition: Op. 31, Scherzo in B♭ minor
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In some of the editions, the whole-bar rest was specified with the digit 1 – over each of the staves in GE1 and EE, between the staves in GE3. category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 298
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composition: Op. 44, Polonaise in F♯ minor
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Like in analogous b. 65, in the main text we suggest adding pedal markings on the 1st beat of the bar after a comparison with b. 39, which is basically identical. category imprint: Editorial revisions |
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b. 298-300
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composition: Op. 2, Variations, complete
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In R.H. figurations Chopin considers accidentals to be valid also in adjacent octaves. Therefore, in A there are no flats to the 9th, 12th and 15th semiquavers in bar 298 (a category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 298-301
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composition: Op. 2, Variations, complete
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In the main text we include, in a variant form (in brackets), the fingering pencilled by Chopin into AsI. Even if Chopin consciously abandoned it while preparing the Variations for print, according to us, it has a similar value as the fingering entered into teaching copies. category imprint: Differences between sources; Editorial revisions |
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b. 298
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composition: Op. 49, Fantaisie in F minor category imprint: Interpretations within context; Differences between sources issues: Errors in FE , FE revisions |