Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 300

composition: Op. 11, Concerto in E minor, Mvt I

..

In GE1, the quaver flag next to the first chord (after the grace note) was overlooked. This patent mistake was corrected already in GE2 (→GE3).

category imprint: Interpretations within context; Differences between sources

issues: Errors in GE , GE revisions , Rhythmic errors

b. 300

composition: Op. 11, Concerto in E minor, Mvt I

..

In GE1, the last note in the L.H. is an e1. A comparison with analogous bars 284, 286 and 302 proves the engraver's mistake. It was corrected in subsequent GE.

category imprint: Interpretations within context; Differences between sources

issues: Errors in GE , GE revisions

b. 300-301

composition: Op. 11, Concerto in E minor, Mvt III

No slurs in FE (→EE,GE1GE2)

Slurs in GE3

category imprint: Differences between sources

issues: GE revisions

b. 300-301

composition: Op. 11, Concerto in E minor, Mvt III

No marks in FE (→EE,GE1GE2)

Staccato dots in GE3

..

The staccato dots in GE3 are an arbitrary addition, probably moved from a few parts of the orchestral part of FEorch (→GEorch).

category imprint: Differences between sources

issues: GE revisions

b. 300

composition: Op. 44, Polonaise in F♯ minor

..

Like in b. 274, the majority of the sources lack the  restoring g2 in the last octave in the bar. The mistake was corrected only in EE2 (→EE3) by adding sharps next to both notes of that octave. In the main text we add only the necessary  next to g2.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE