b. 419
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composition: Op. 16, Rondo in E♭ major
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We add cautionary flats before a1 and a2 in the main text. category imprint: Editorial revisions |
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b. 420-421
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composition: Op. 21, Concerto in F minor, Mvt III
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In A bar 420 is the last one on the page, whereas the slur written with a flourish clearly indicates continuation in the next bar. However, there is no ending of this slur in bar 421, which could have reassured the engraver of GE1 of his whole-bar approach (moreover, the traces of corrections visible in bars 420 and 421 suggest that each of these bars was initially encompassed with one slur; the erroneous division of the slur at the beginning of bar 421 was then corrected – perhaps by Chopin – to the version compliant with A). In GE2, Chopin's intention contained in A was reproduced correctly. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccurate slurs in A , GE revisions , Corrected slurs of Op. 21 in GE1 |
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b. 420
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composition: Op. 21, Concerto in F minor, Mvt III
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In this place, the long accent was reproduced in GE1 correctly, yet in FE (→EE) it was replaced with a common short accent, whereas in GE2 – with a hairpin, of the same length as in bar 412. category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions |
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b. 420
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composition: Op. 11, Concerto in E minor, Mvt I
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The missing hairpin is most probably an oversight of the engraver of GE1, unless the mark was added in the last proofreading of FE. category imprint: Differences between sources issues: Errors in GE |
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b. 420
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composition: Op. 11, Concerto in E minor, Mvt I category imprint: Interpretations within context; Differences between sources issues: Errors in FE , GE revisions , Omission of current key accidentals , Errors repeated in EE |