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b. 287-290

composition: Op. 49, Fantaisie in F minor

to b. 288 & 290 in A (→GE)

No signs in FE (→EE1)

in b. 287 & to b. 290 in EE2
..

As in analogous bars 120-123, the  hairpins were almost certainly added to A after [FC] had been finished, which explains their absence in FE (→EE1). In EE2 the marks were added on the basis of GE1, yet the first was reproduced inaccurately, omitting its ending in bar 288.

category imprint: Differences between sources

issues: EE revisions

b. 287

composition: Op. 49, Fantaisie in F minor

..

In FE the second half of the bar was written down using an abbreviation, as two crotchets with quaver tremolos. EE wrote this abbreviation in full, thus restoring – most probably unconsciously – the original notation.

category imprint: Differences between sources

issues: EE revisions , FE revisions

b. 288-291

composition: Op. 39, Scherzo in C♯ minor

Slur in EE and FE

No slur GC (→GE)
..

Absence of the slur in GC (→GE) is probably the result of the copyist's accidental omission.

category imprint: Differences between sources

issues: Errors of GC

b. 288-289

composition: Op. 39, Scherzo in C♯ minor

d tied in GE

No tie in EE, GC & FE
..

The tie sustaining d in GE is probably an arbitrary addition, made by analogy with bars 156-157.

category imprint: Differences between sources

issues: GE revisions

b. 288

composition: Op. 21, Concerto in F minor, Mvt I

..

In A (→GE1→FE) there are no accidentals in the last group of semiquavers. In EE the necessary  returning f2 on the last semiquaver was added, whereas in GE2 and EE3 two cautionary flats at the beginning of this group, before b2 and a2 (in the main text we include only the first one).

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Omissions to cancel alteration , Errors in GE , GE revisions , Cautionary accidentals