The absence of the wedge in GE3, purposeful or accidental, indicates the need to authenticate the single mark in FE (→EE,GE1→GE2). Therefore, in the main text, we suggest wedges also in the next two bars, materialising the model's idea Chopin most probably had at the time of inserting the mark in bar 284. An identical piano grip and repeated 
marks leave no doubt as to the performance manner of those broken chords, i.e. each time the same.
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category imprint: Differences between sources; Editorial revisions
issues: Errors in GE
notation: Articulation, Accents, Hairpins