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b. 282-283

composition: Op. 21, Concerto in F minor, Mvt I

e tied in A & GE2

e repeated in GE1 (→FE→EE)
..

The change of the tie of e to an e-b motivic slur is almost certainly a mistake of GE1 (→FE→EE), corrected in GE2.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 282

composition: Op. 21, Concerto in F minor, Mvt III

..

FE1 has an a1-c2 third on the 1st quaver. It is a perfect example of an unfinished proofreading, where the correct note was printed without having removed the erroneous one. The mistake was corrected in FE2 (→EE).

category imprint: Differences between sources

issues: EE revisions , Errors in FE , Terzverschreibung error , Partial corrections

b. 282

composition: Op. 11, Concerto in E minor, Mvt I

No teaching fingering

Fingering written into FEH
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 282-283

composition: Op. 16, Rondo in E♭ major

No mark in FE

in bar 282 in GE

in bar 283 in GE

[] in bar 282 suggested by the editors
..

We add the pedal release mark overlooked in FE – it is most probably a mistake of the engraver. The inaccuracy was corrected also by the revisers of GE and EE.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 282-283

composition: Op. 44, Polonaise in F♯ minor

3 d2 in GE

4 d & 4 d2 in FE (→EE)

Without notes d in L.H. in b. 282, two notes d2 and two notes d in b. 283 in FE (→EE)
..

Like in b. 23-24 and analogous, in the main text we follow FE, proofread by Chopin, hence we add d in the L.H. on the 1st and 3rd beats of b. 282 and on the 1st beat of b. 283 as well as d2 and d on the first semiquaver of the triplet in b. 283.

category imprint: Differences between sources

issues: Authentic corrections of FE