



b. 284
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composition: Op. 39, Scherzo in C♯ minor
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The asterisk category imprint: Differences between sources issues: EE inaccuracies |
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b. 284-285
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composition: Op. 39, Scherzo in C♯ minor
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Missing from EE and FE is the bass clef restoring the bass register within the system after the treble clef on the lower stave (the last bar to which the treble clef applies is bar 283). However, the structure of the figuration in bar 286 and its graphic layout make the misreading of the text in this and the following bars practically impossible. In GC, bar 284 opens a new page and the bass clef is written there at the beginning of the line. In GE, the bass clef was added at the end of the line, in bar 284. category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions , EE inaccuracies , Inaccuracies in GC |
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b. 284-285
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composition: Op. 42, Waltz in A♭ major
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Chopin changed the original version of FE0 to a more virtuoso one and with fuller sound in FEG (→GE) and FE. The different version of EE is most probably authentic as well, while the enhancement and expansion of the sound (with respect to the original version) was reached by the undoubtedly easier pianistic grip. In the main text we give the version of two editions, FE and GE, confirmed somehow by the entry in FED indicating to take over e category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of GE , Authentic corrections of EE |
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b. 284
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composition: Op. 42, Waltz in A♭ major
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The third on the 1st quaver is certainly a mistake of FE0 (→EE) – Chopin corrected it in FEG (→GE) and in the finished FE. category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE , Authentic corrections of GE |
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b. 284
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we give the version of A, in which Chopin marked the ending of the slur on the e category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations |