mUltimate Chopin

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 283

composition: Op. 21, Concerto in F minor, Mvt I

Crotchet e in sources

Dotted minim suggested by the editors
..

We consider that the subtle improvement introduced by Chopin in the proofreading of FE in the analogous bar in the exposition is valid also here. Chopin would often overlook proofreading of one of a few similar places.

category imprint: Editorial revisions

issues: Omitted correction of an analogous place

b. 283

composition: Op. 21, Concerto in F minor, Mvt I

 in A

 in GE1 (→FE)

  &  in EE

 &  in GE2

 [] suggested by the editors
..

In A there is no  asterisk after the  sign in the middle of the bar. This oversight, frequent in Chopin's works, unnoticed perhaps due to the end of the page in A, could have also contributed to the erroneous interpretation of the  sign as  in GE (→FE→EE). In EE   were added, most probably on the basis of the authentic pedalling in analogous bar 135. The pedalling was added also in GE2, although only in the incomplete version of A; the  sign was also preserved, in spite of the fact that it is not included in A.

category imprint: Interpretations within context; Differences between sources

issues: Errors in GE , GE revisions , No pedal release mark

b. 283

composition: Op. 21, Concerto in F minor, Mvt I

..

The  indication is certainly a result of a mistake of the engraver of GE1 – see the next note.

category imprint: Differences between sources

issues: Errors in GE

b. 283-284

composition: Op. 21, Concerto in F minor, Mvt I

Slur in A (possible reading) & GE2

Slur in A (contextual interpretation→GE1→FE→EE)
..

Same as in bars 135-136, the placement and range of the slur of A are unclear – it can refer both to the quavers in the top voice and to the crotchet of the bottom one.

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccurate slurs in A

b. 283

composition: Op. 21, Concerto in F minor, Mvt I

Accent under R.H. in A

Accent over L.H. in GE (→FE→EE)
..

Contrary to the clear notation of A, in the editions the accent was assigned to the L.H.

category imprint: Differences between sources

issues: Inaccuracies in GE