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b. 281

composition: Op. 49, Fantaisie in F minor

Long accent over R.H. chord in A

Long accent under R.H. chord suggested by the editors

Short accent over R.H. chord in FE

2 short accents in GE & EE

..

As in bar 277, in the main text we put the long accent placed in A over the R.H. chord between the staves, since it must concern both hands. This issue was also specified in GE and EE by adding another accent under the L.H. part. The fact that all the editions used short accents results from the absence of a defined category of long accent being a separate mark.

category imprint: Differences between sources; Editorial revisions

issues: Long accents , EE revisions , Inaccuracies in GE , Inaccuracies in FE , GE revisions

b. 281-282

composition: Op. 49, Fantaisie in F minor

Slur in b. 281 in sources

Slur to b. 282, our alternative suggestion

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In the main text we provide the version of the sources, compliant with the slur present in A in analogous bar 114. To an alternative suggestion to the version of the sources we adopted an extension of the slur in bars 114-115, most probably coming from Chopin.

category imprint: Editorial revisions

b. 281

composition: Op. 49, Fantaisie in F minor

..

In FE1 the bottom  to the 1st chord in the R.H. triplet is at the pitch of a1; moreover, there is no  to the top note of the 2nd chord in the triplet. Both mistakes were corrected in FE2.

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE , FE revisions

b. 281

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In A (→GEEE1,IE) the  restoring e1 is missing. Chopin's patent oversight was corrected only in FE and EE2.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Omissions to cancel alteration , Errors of A , FE revisions , Errors repeated in GE , Errors repeated in EE , Errors repeated in IE

b. 281-282

composition: (Op. 4), Sonata in C minor, Mvt IV

Slur from c1 to g1 in A, literal reading

Slur from c1 to a1 in GE (→FE,EE,IE)

..

It is difficult to imagine that the literal interpretation of the A slur, which does not include 3 (or 2) outermost quavers belonging to the chromatic scale, could have corresponded to Chopin's intention. Therefore, we consider it one of the many inaccuracies of A in this respect; in the main text we include the interpretation of this slur adopted to GE (→FE,EE,IE). 

category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions

issues: Inaccurate slurs in A , GE revisions