



b. 281
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composition: Op. 49, Fantaisie in F minor
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As in bar 277, in the main text we put the long accent placed in A over the R.H. chord between the staves, since it must concern both hands. This issue was also specified in GE and EE by adding another accent under the L.H. part. The fact that all the editions used short accents results from the absence of a defined category of long accent being a separate mark. category imprint: Differences between sources; Editorial revisions issues: Long accents , EE revisions , Inaccuracies in GE , Inaccuracies in FE , GE revisions |
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b. 281-282
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composition: Op. 49, Fantaisie in F minor
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In the main text we provide the version of the sources, compliant with the slur present in A in analogous bar 114. To an alternative suggestion to the version of the sources we adopted an extension of the slur in bars 114-115, most probably coming from Chopin. category imprint: Editorial revisions |
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b. 281
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composition: Op. 49, Fantaisie in F minor
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In FE1 the bottom category imprint: Interpretations within context; Differences between sources issues: Errors in FE , FE revisions |
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b. 281
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A (→GE→EE1,IE) the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration , Errors of A , FE revisions , Errors repeated in GE , Errors repeated in EE , Errors repeated in IE |
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b. 281-282
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composition: (Op. 4), Sonata in C minor, Mvt IV
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It is difficult to imagine that the literal interpretation of the A slur, which does not include 3 (or 2) outermost quavers belonging to the chromatic scale, could have corresponded to Chopin's intention. Therefore, we consider it one of the many inaccuracies of A in this respect; in the main text we include the interpretation of this slur adopted to GE (→FE,EE,IE). category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Inaccurate slurs in A , GE revisions |