



b. 283
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composition: Op. 2, Variations, complete category imprint: Editorial revisions |
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b. 283
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composition: Op. 49, Fantaisie in F minor
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In A one can see a deletion before the 1st L.H. crotchet, yet it allows us to decipher the removed element, that is a C1-E category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Terzverschreibung error , Errors in the number of ledger lines , Deletions in A |
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b. 283-285
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composition: Op. 49, Fantaisie in F minor
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As in bar 110, 112 and 114, the category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies |
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b. 283-286
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composition: Op. 49, Fantaisie in F minor
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The fact that the starting point of the slurs is consistently different suggests that Chopin wrote them independently first in A after [FC] had been finished and then in [FC] or FE1. In both places, in A in bars 285-286 and in FE in bars 283-284, the slurs do not reach the next bar. According to us, these are inaccuracies of notation, while in A it is so obvious that we provide a literal interpretation of this slur only in the graphic transcription. The missing slurs in GE1 in bars 283-284 and in EE1 in bars 285-286 are definitely of an accidental nature. The former was added by GE2, starting from the minim. The slur that was overlooked in EE1 was added by EE2 on the basis of GE1. In the main text we provide a contextual interpretation of the A slurs, consistent with the slurs in analogous bars 116-119. We consider the slurs based on the FE version, with the first slur having been extended, to be an acceptable variant. category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Errors in EE , Inaccurate slurs in A , Errors in GE |
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b. 283-284
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text we omit the cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals |