



b. 282
|
composition: Op. 2, Variations, complete
..
We consider the omission of the category imprint: Editorial revisions issues: No pedal release mark |
|||||
b. 282
|
composition: Op. 49, Fantaisie in F minor
..
In the 2nd half of the bar the top note of the 2nd L.H. quaver is a b category imprint: Interpretations within context; Differences between sources issues: Errors in FE , FE revisions |
|||||
b. 282-283
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
The omission of the slurs/ties between the chords is an oversight by the engraver of GE (→FE,EE,IE). It cannot be ruled out that the engraver did not insert the slurs due to doubts regarding their significance and position with respect to the arpeggio wavy line. category imprint: Differences between sources issues: Errors in GE |
|||||
b. 282
|
composition: (Op. 4), Sonata in C minor, Mvt IV category imprint: Differences between sources; Editorial revisions issues: GE revisions |
|||||
b. 283-287
|
composition: Op. 39, Scherzo in C♯ minor
..
In GC, the slur ends in bar 283 at the end of the page. The fact that it is not continued on the next page is probably an oversight. We adopt the consistent version of EE and FE. category imprint: Differences between sources issues: Errors of GC |