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b. 278-280
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composition: Op. 21, Concerto in F minor, Mvt III
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The omission of the last accent in bar 280 in GE1 must be a mistake. The accent was added in FE, yet it was placed inaccurately, as a result of which it is uncertain whether it applies to the 2nd or the 1st quaver of the triplet (the 1st accent in bar 278 in FE is even more inaccurate; we interpret it to apply to the 1st quaver in the bar). In EE, three out of four accents were put a quaver earlier, on the 1st or 7th note in the bar, which is a mistake. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , Errors in GE , GE revisions |
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b. 278-279
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composition: Op. 11, Concerto in E minor, Mvt I
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The digits in FEH are not written by Chopin's hand, hence it is uncertain whether they come from a lesson with Chopin. category imprint: Differences between sources |
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b. 278-279
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composition: Op. 11, Concerto in E minor, Mvt I
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In both bars, FE (→EE,GE1→GE2) feature a cautionary (?) category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals , Last key signature sign |
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b. 278-280
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composition: Op. 31, Scherzo in B♭ minor
category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 278-280
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we add a cautionary natural before a in b. 278 and 280 and a category imprint: Differences between sources; Editorial revisions issues: GE revisions |
before d
3. The superfluous marks were removed only in 
