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b. 276-277
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composition: Op. 44, Polonaise in F♯ minor
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As in previous analogous places, in FE (→EE) the L.H. part octaves from the 2nd beat of b. 268 to the end of the 1st beat of b. 269 are written down in a simplified manner with the use of con 8va. category imprint: Differences between sources issues: Abbreviated notation of A |
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b. 276
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composition: Op. 44, Polonaise in F♯ minor
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We add cautionary naturals to the octave E1-E in the main text. category imprint: Editorial revisions |
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b. 276
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composition: Op. 44, Polonaise in F♯ minor
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The version of GE2 is erroneous or arbitrary, perhaps introduced on the basis of the version of the sources – most probably erroneous – in b. 69. category imprint: Differences between sources issues: GE revisions |
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b. 276
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composition: Op. 2, Variations, complete
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The missing staccato markings in A must be considered Chopin's inadvertence – the marks are present in all similar situations. The wedges added by GE are most probably inauthentic; however, even if they had been added at Chopin's request, it would have been an ad hoc correction, adjusted to the unifying manner of the engraver of GE1. Due to the above, in the main text we suggest adding marks in accordance with the consistent rule visible in A – wedges only for the bass notes on the main beats of the bar. category imprint: Differences between sources; Editorial revisions issues: GE revisions , Authentic corrections of GE |
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b. 276
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composition: Op. 49, Fantaisie in F minor
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In this bar the pedal markings could have been added to A (→GE) after [FC] had been finished. However, since the markings are fully compliant both in the preceding and following fragments, the absence of pedalling in FE (→EE) could have also resulted from an oversight. category imprint: Differences between sources issues: Errors in FE |
1-a1 in 
in 