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b. 276-278

composition: (Op. 4), Sonata in C minor, Mvt IV

Staccato dots in A

No marks in GE (→FE,EE,IE)
..

One could understand the omission of the dots in GE (→FE,EE,IE) – in A they are written close to the octave sign (consisting of dashes and dots), hence they could have been easily confused with it (particularly the one in bar 275).

category imprint: Differences between sources

issues: Errors in GE

b. 276

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In the main text we include the cautionary naturals to the first notes in the parts of both hands (D-d and c2) added in GE (→FE,EE,IE).

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 276

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In A the  to the penultimate quaver (f3) was omitted; it was added in GE (→FE,EE,IE).

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , GE revisions , Inaccuracies in A

b. 276-277

composition: (Op. 4), Sonata in C minor, Mvt IV

No fingering in A (→GE→FE,IE)

Fingering in EE
..

In the main text, we do not include the inauthentic R.H. fingering added by EE.

category imprint: Differences between sources

issues: EE revisions

b. 277-278

composition: Op. 39, Scherzo in C♯ minor

c2 in EE, FE & GE2

e2 in GC (→GE1)
..

The GC (→GE1) version, although harmonically and pianistically quite possible, is probably erroneous.

category imprint: Differences between sources

issues: Terzverschreibung error , Errors of GC