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b. 278-282

composition: Op. 49, Fantaisie in F minor

..

In the main text we add cautionary naturals to g1-g2 in bar 278 and 282. In bar 278 accidentals were also added by GE.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 278

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In A in the 2nd half of the bar there are no accidentals in the R.H. part. The omitted flats to d3 and d4 were added in GE (→FE,EE,IE).

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , GE revisions , Inaccuracies in A

b. 279

composition: Op. 39, Scherzo in C♯ minor

No sign in EE & GC (→GE)

 in FE
..

The  mark, appearing only in FE, seems very much in place from the musical point of view. This is also the only version that is definitely authentic, as the absence of that mark in GC (→GE) may be accidental, and in EE it is almost certainly so (cf. bar 275).

category imprint: Differences between sources

issues: Errors in EE

b. 279

composition: Op. 11, Concerto in E minor, Mvt III

..

In the main text, we add a cautionary  before the last f​​​​​​​1. The accidental was added already in GE.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 279

composition: Op. 44, Polonaise in F♯ minor

..

In FE (→EE1) the double grace note before the 3rd crotchet in the bar is A-B, which is a mistake and which results in two identical notes. The error was rectified in EE2.

category imprint: Differences between sources

issues: EE revisions , Errors in FE , Errors repeated in EE