b. 335
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composition: Op. 2, Variations, complete
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As in the entire Variations, while writing A Chopin treated accidentals almost like key signature accidentals – he considered them to be valid in all octaves on a given stave and in a given clef. Therefore, in the R.H. part the last entered accidental is a to d1, while in the L.H. part it is the sharps to D, f and all starting from d2 that are missing. All necessary accidentals – assuming that they are also valid for notes at the same pitch under the octave sign – were added already in GE (→FE,EE, in the latter the notes under the octave sign were also provided with accidentals). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 335-336
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composition: Op. 2, Variations, complete
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The slurs of AsI are written offhandedly; they signal an intent rather than represent actual marks. This intent were most probably slurs encompassing the entire passage, including the 1st quaver in bar 336. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , Uncertain slur continuation , Inaccuracies in FESB |
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b. 335
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composition: Op. 2, Variations, complete
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category imprint: Differences between sources issues: GE revisions |
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b. 336
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composition: Op. 39, Scherzo in C♯ minor
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We believe there is little chance that Chopin consciously left out sotto voce at any stage of preparing FE. category imprint: Differences between sources |
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b. 336-343
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composition: Op. 39, Scherzo in C♯ minor
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Slur endings in bars 339 and 343 are innacurately notated in GC as the slurs extend over to the rests on the second beat of the bar. category imprint: Source & stylistic information issues: Inaccuracies in GC |