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b. 274-276

composition: Op. 31, Scherzo in B♭ minor

Slur to bar 274 in A (→FE→EE)

Slur to end of bar 276 in FC

Slur beyond bar 276 in GE1

Slur to bar 276 in GE2 (→GE3)
..

The longer phrase mark of FC is the original version copied (somehow inaccurately) from A: in A one can see that when it returned to Chopin after having been copied by Fontana, the composer crossed out the original ending of that phrase mark and added a new ending 2 bars earlier. The long, continuous slur in GE1 results from a misinterpretation of FC, rectified in GE2 (→GE3).

category imprint: Differences between sources; Corrections & alterations

issues: Corrections in A , Errors in GE , GE revisions , Deletions in A

b. 274

composition: Op. 31, Scherzo in B♭ minor

Minim g in A (→FC→GE)

Dotted minim g in FE (→EE)
..

In FE (→EE) the g note is a dotted minim, which is a mistake. The crossing-out in A shows that it was also Chopin that initially wrote it like that; however, he eventually clarified the notation to avoid the g-a cluster at the end of the bar.

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: Errors in FE , Deletions in A , Errors repeated in EE

b. 274-275

composition: Op. 31, Scherzo in B♭ minor

Slurs from a & c in A (→FC,FE→EE)

Slurs from b & d in GE
..

The slurs of GE result from overinterpretation of the slightly too casually put slurs of FC, which clearly begin before the crotchet, particularly in the L.H. Such interpretation of a minor inaccuracy of FC confirms the predilection of the engravers of GE, known from other Chopin's pieces, for adjusting slurs and dynamic hairpins to rhythmic units, e.g. bars. See also b. 273.

category imprint: Differences between sources

issues: GE revisions

b. 274

composition: Op. 44, Polonaise in F♯ minor

..

Like in b. 41 and 67, the  restoring g2 in the last octave in the bar is missing in the majority of the sources. The mistake was corrected only in EE2 (→EE3), in which sharps were added next to both notes of that octave. In the main text we only add the necessary  next to g2.

category imprint: Differences between sources

issues: EE revisions , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE

b. 274

composition: Op. 44, Polonaise in F♯ minor

No accidental (d) in GE & FE1

 (d) in FE2 & EE
..

According to us, the version with d resulted from Chopin having overlooked the  in [A] (→GE,[FC]→FE1). Therefore, in the main text we include the  added in FE2 and EE.

category imprint: Differences between sources

issues: Omission of current key accidentals , FE revisions