mUltimate Chopin

Op. 44, Polonaise in F♯ minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 3, b. 35-48
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-48
p. 4, b. 49-64
p. 5, b. 65-82
p. 6, b. 83-97
p. 7, b. 98-112
p. 8, b. 113-126
p. 9, b. 127-157
p. 10, b. 158-185
p. 11, b. 186-214
p. 12, b. 215-243
p. 13, b. 244-267
p. 14, b. 268-281
p. 15, b. 282-295
p. 16, b. 296-309
p. 17, b. 310-326
Main text
Main text
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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Articulation, Accents, Hairpins
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Pedalling
Fingering
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No differences
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 38

No markings in sources

[ ] suggested by the editors

On the 3rd beat of the bar in the main text we suggest supplementing the Chopinesque pedalling drawn from GE. There is no reason why the pedal markings in this bar should differ from the ones in the preceding bar, hence the missing markings seem to be an oversight of Chopin (Cf. also bar 64). Similarly in analogous bar 271.

Compare the passage in the sources»

category imprint: Editorial revisions

issues:

notation: Pedalling

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES
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