mUltimate Chopin

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b. 326

composition: Op. 11, Concerto in E minor, Mvt III

in FE (→GE)

No sign in GE
..

The missing ​​​​​​​ hairpin in GE, unless it is a mere oversight of the engraver, proves that the mark was added in the last phase of proofreading of FE.

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 326-330

composition: Op. 31, Scherzo in B♭ minor

No pedalling in A

  in bars 328 & 330 in FC (→GE1)

  in bars 326 & 328 in FE (→EE)

3 times   in GE2 (→GE3)
..

A comparison with analogous b. 428-432 proves that the complementary pedalling markings in b. 326, 328 and 330, added by Chopin in FC and FE, are to be considered jointly; the second time Chopin added three pedals in each of the two sources. A proper addition was also introduced in GE2 (→GE3).

category imprint: Differences between sources; Corrections & alterations

issues: GE revisions , Authentic corrections of FE , Authentic corrections of FC

b. 327-336

composition: Op. 39, Scherzo in C♯ minor

Key signature change in EE & GC (→GE)

FE
..  

category imprint: Differences between sources

b. 327-335

composition: Op. 39, Scherzo in C♯ minor

in EE

in GC (→GE)

No indication in FE
..

In the main text we present dim. - - - based on the notation in GC (→GE). In EE it is written out in syllables, which is a very characteristic manner of these editions. in FE the marking is not there at all, which was most probably caused by Chopin's hasty wrirting [A2]. See annotations in bars 335 and 336.

category imprint: Differences between sources

issues: EE revisions

b. 327-329

composition: Op. 21, Concerto in F minor, Mvt III

Wedges in A

Dots in GE

Dot in bar 329 in FE (→EE)
..

The wedges in bars 327 and 329 were reproduced in GE (→FE→EE) as dots; at the same time, the sign in bar 327 was overlooked in FE (→EE), perhaps due to the erroneous slur.

category imprint: Differences between sources

issues: Errors in FE , Inaccuracies in GE , Wedges