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b. 269
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composition: Op. 49, Fantaisie in F minor
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In EE2 a cautionary category imprint: Differences between sources issues: EE revisions |
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b. 269
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composition: (Op. 4), Sonata in C minor, Mvt IV
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EE1 has an a category imprint: Differences between sources issues: EE revisions , Errors in EE |
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b. 270
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composition: Op. 39, Scherzo in C♯ minor category imprint: Differences between sources; Source & stylistic information issues: Errors in EE |
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b. 270-272
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composition: Op. 21, Concerto in F minor, Mvt III
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The omission of the 2nd accent in bar 272 in GE1 (→FE) must be an oversight. The accents in FE are placed inaccurately – the second one in bar 270 can be interpreted to apply to the 7th quaver, whereas the sign in bar 272 was placed under the 3rd note in the bar. In EE the 2nd accent in bar 272 was added, yet it was placed under the 1st note of the triplet, analogously to the one in bar 270. Both remaining accents were arbitrarily changed to vertical ones. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , Errors in GE |
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b. 270
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we add a cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions |
was added to e
2 in the last quaver.
before B. The mark was added already in