b. 318
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we add a cautionary before g3. category imprint: Editorial revisions |
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b. 318
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composition: Op. 11, Concerto in E minor, Mvt I
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There is no accidental before the penultimate semiquaver in the majority of the sources. When interpreted literally, it is a d3 due to the before the 2nd semiquaver. This version, inconsistent notation (e2-d3) aside, implements the harmonic scheme of such figures in bars 315-318, using chord elements only, and we give it as such in the main text, adding a reminding before the discussed note. However, one cannot exclude an oversight of the alteration's cancellation by Chopin, which is one of his most frequent mistakes. The version with d3, resulting from such an assumed mistake, continues the melodic and pianistic scheme defined in the two previous figures, which we suggest as an acceptable variant. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Omissions to cancel alteration , GE revisions |
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b. 318
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composition: Op. 11, Concerto in E minor, Mvt I
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The sources feature a cautionary before c2 and a reminding one before a1 in the 3rd chord. In the main text, we omit both marks, which are, according to us, unnecessary. In turn, we add a cautionary before e2. category imprint: Editorial revisions issues: Cautionary accidentals |
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b. 318
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composition: Op. 16, Rondo in E♭ major category imprint: Differences between sources; Editorial revisions; Source & stylistic information issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 318-325
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composition: Op. 31, Scherzo in B♭ minor
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The omission of the ties of a2 in b. 318-319 and of f2 in b. 324-325 in FE may be a result of misinterpretation of Chopinesque very short ties as endings of motivic slurs over the bottom voice motifs: see b. 310-323. The ties were added in EE. category imprint: Differences between sources issues: EE revisions , Errors in FE |