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b. 243-245

composition: Op. 21, Concerto in F minor, Mvt I

 in A & GE2

No signs in GE1 (→FE→EE)
..

The absence of  signs in bars 243 and 245 in GE1 (→FE→EE) is certainly a mistake. The signs were added in GE2.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 243-244

composition: Op. 21, Concerto in F minor, Mvt III

Tied g in A

g-a in GE

g-g-a-d in FE (→EE)
..

There is an evident non-compliance of the part of the L.H. in A with the cello and double bass sequence in Morch within ½A:
.
In the version of GE, coming probably from Chopin, the harmonically inexplicable middle pedal note g was removed in bar 244. Chopin introduced full compliance of the bass sequence in the piano and orchestra in the proofreading of FE (→EE), which we present in the main text.

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes , Authentic corrections of FE , Authentic corrections of GE

b. 243-244

composition: Op. 21, Concerto in F minor, Mvt III

Slur from 2nd crotchet in A & GE2

Slur from 1st crotchet in GE1 (→FE→EE)
..

Starting the slur already from the 1st crotchet in GE1 (→FE→EE) is a typical inaccuracy of the engraver of GE1.

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions

b. 243

composition: Op. 21, Concerto in F minor, Mvt III

..

In FE the last chord has a quaver stem. The absence of rest, required if the chord was shortened, proves that it is a mistake, probably stemming from a misunderstanding at the time of implementing extensive proofreading of pitch and rhythmic values in bars 243-244.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Errors resulting from corrections

b. 243

composition: Op. 19, Bolero

..

The version of EE must be arbitrary – see bar 131.

category imprint: Differences between sources

issues: EE revisions