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b. 239
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The descending bass line in two previous bars suggests the use of a B category imprint: Editorial revisions issues: Constraint from piano range |
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b. 239-241
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The absence of the staccato dot over the 2nd crotchet in bar 239 in EE may be linked to the addition of slurs, however, according to us, the authenticity of the dot's omission is not certain – the engraver of EE could have overlooked it or considered it to be superfluous with relation to the added slur. Due to the fact that the added slurs are of a phrasing character in this texture (and not articulation), in the main text we suggest dots in both analogous bars 239 and 241. category imprint: Differences between sources; Editorial revisions |
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b. 239-242
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The pedalling of these bars in FE and GE1 includes mistakes and inaccuracies:
category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in GE , GE revisions |
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b. 239
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composition: Op. 21, Concerto in F minor, Mvt I
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The absence of category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 239
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we add cautionary flats before the E category imprint: Editorial revisions |
1-B
sign in bar 241 (a patent mistake);
signs in bars 239-240 and the entire pedalling in bars 241-242 (and 
is one of many oversights of