|
b. 238-242
|
composition: Op. 35, Sonata in B♭ minor, Mvt II
..
Three phrase marks were probably added by Chopin in the base text to EE. We give them in the main text as an alternative, suggesting considering the possibility of an inaccurate interpretation of the signs by the engraver. category imprint: Differences between sources; Corrections & alterations issues: EE inaccuracies , Authentic corrections of EE |
||||||||
|
b. 238
|
composition: Op. 21, Concerto in F minor, Mvt I
..
In the main text we preserve the cautionary (?) category imprint: Source & stylistic information issues: Cautionary accidentals |
||||||||
|
b. 238
|
composition: Op. 19, Bolero
..
We suggest adding category imprint: Differences between sources; Editorial revisions |
||||||||
|
b. 238
|
composition: Op. 11, Concerto in E minor, Mvt I
..
GE3 overlooked the tie to d category imprint: Differences between sources issues: Errors in GE |
||||||||
|
b. 238-239
|
composition: Op. 11, Concerto in E minor, Mvt I
..
The absence of the tie to B is most probably an oversight of the engraver of GE, cf. the slurs in analogous bars 242-243 and 589-590 and 593-594. category imprint: Differences between sources issues: Errors in GE |
, present in all sources, before a
1 as a proof of the Chopin way of thinking. However, the reason for its introduction is unclear – Chopin may have simply followed an analogy with bars 230 and 236, in which the corresponding semiquaver is a g
] suggested by the editors
1.
