Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 237

composition: Op. 21, Concerto in F minor, Mvt I

No fingering in A (→GE)

Fingering in FE (→EE)

..

The fingering of the first two semiquavers in the L.H. was added by Chopin, while he was proofreading FE (→EE). Cf. bars 233-235. The next four digits were written already in A and they are present in all sources.

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 237

composition: Op. 21, Concerto in F minor, Mvt I

..

In the main text we add cautionary flats before the D-d octave.

category imprint: Editorial revisions

b. 237

composition: Op. 21, Concerto in F minor, Mvt I

..

The cautionary natural before G, the 1st semiquaver in the L.H., was added in the proofreading of GE1 (→FEEE, →GE2). According to us, this random addition could have been performed at Chopin's request.

category imprint: Differences between sources

issues: Authentic corrections of GE

b. 237

composition: Op. 21, Concerto in F minor, Mvt I

..

In A the last group of semiquavers is written in an abbreviated manner as a repetition of the previous one. The abbreviation was explained in GE (→FEEE).

category imprint: Source & stylistic information

issues: GE revisions , Abbreviated notation of A

b. 237

composition: Op. 21, Concerto in F minor, Mvt III

..

The cautionary  before fwas added in the proofreading of FE (→EE), perhaps by Chopin.

category imprint: Differences between sources

issues: Cautionary accidentals , Authentic corrections of FE