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b. 225-226
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composition: Op. 44, Polonaise in F♯ minor
..
The change of rhythm on the 1st beats of these bars, introduced by EE2 and totally arbitrary, was meant to make them resemble the version of analogous b. 166-167. The decision to revise the text could have been influenced by the erroneous semiquaver beam printed in EE1 next to the 2nd R.H. quaver in b. 225. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in EE |
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b. 225-226
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composition: Op. 23, Ballade in G minor
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As in b. 217-218, we regard both source versions of the ending of the slur in b. 217 as potentially compliant with Chopin's intention; however, in the main text we reproduce the literal interpretation of the notation of A. category imprint: Differences between sources issues: Inaccuracies in FE , Inaccurate slurs in A |
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b. 225-227
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composition: Op. 23, Ballade in G minor
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In A (→FE), Chopin overlooked the sharps raising f3 to f category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 225-227
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composition: Op. 23, Ballade in G minor
..
In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals , Authentic corrections of FE |
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b. 225
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composition: Op. 23, Ballade in G minor
..
A comparison with all analogous figures (b. 217, 219 and 227) proves Chopin's inadvertence here. category imprint: Editorial revisions issues: Inaccuracies in A |
in 
in 
3 in b. 225 and 227. The accidentals were added by 
and 
.
