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b. 316

composition: Op. 21, Concerto in F minor, Mvt I

..

In GE1 (→FE→EE) there is no cautionary  before G at the beginning of the bar, added in A later with a foreign hand. In the main text we include this sign, facilitating the interpretation.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions , Foreign hand additions in manuscripts

b. 316-317

composition: Op. 21, Concerto in F minor, Mvt I

No slur in A (→GE1→FE)

Slur A-B in EE & GE2
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The absence of the slur emphasising the A-B bass step is most probably Chopin's oversight. The slur was added by the revisers of EE and GE2.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 316-318

composition: Op. 21, Concerto in F minor, Mvt I

3-quaver slurs in A (→GE→FE)

4-quaver slurs in EE
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Both top slurs in the L.H. in bar 316 and the first one in bar 318 embrace in EE four quavers each, in spite of the fact that in A (→GE→FE) the slurs continue the slurring scheme from bar 315. It is probably a revision unifying the slurs in bars 316-318, based on the erroneous slurs of FE in bar 317 and 318.

category imprint: Differences between sources

issues: EE revisions

b. 316-318

composition: Op. 21, Concerto in F minor, Mvt I

Fingering written into FED in bar 318

No teaching fingering

Fingering in bar 316 suggested by the editors
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In accordance with the General Editorial Principles, p. 17, we give the fingering written in FED in bar 318 in an identical figure two bars earlier.

category imprint: Differences between sources; Editorial revisions

issues: Annotations in teaching copies , Annotations in FED

b. 316-317

composition: Op. 11, Concerto in E minor, Mvt I

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In FE, both the  raising a2 to a2 in bar 316 and the  raising c3 to c3 in bar 317 are missing. These patent inaccuracies, most probably repeated after [A], were corrected both in GE and EE. The latter was added also in FED.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FED , Accidentals in different octaves , Inaccuracies in FE , GE revisions