



b. 225-226
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composition: Op. 44, Polonaise in F♯ minor
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The change of rhythm on the 1st beats of these bars, introduced by EE2 and totally arbitrary, was meant to make them resemble the version of analogous b. 166-167. The decision to revise the text could have been influenced by the erroneous semiquaver beam printed in EE1 next to the 2nd R.H. quaver in b. 225. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in EE |
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b. 225-226
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composition: Op. 23, Ballade in G minor
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As in b. 217-218, we regard both source versions of the ending of the slur in b. 217 as potentially compliant with Chopin's intention; however, in the main text we reproduce the literal interpretation of the notation of A. category imprint: Differences between sources issues: Inaccuracies in FE , Inaccurate slurs in A |
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b. 225-227
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composition: Op. 23, Ballade in G minor
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In A (→FE), Chopin overlooked the sharps raising f3 to f category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 225-227
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composition: Op. 23, Ballade in G minor
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In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals , Authentic corrections of FE |
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b. 225
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composition: Op. 23, Ballade in G minor
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A comparison with all analogous figures (b. 217, 219 and 227) proves Chopin's inadvertence here. category imprint: Editorial revisions issues: Inaccuracies in A |