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b. 225

composition: Op. 35, Sonata in B♭ minor, Mvt I

Staccato dot in GC

No mark in FE (→EE) & GE

..

There is no reason to doubt the authenticity of the staccato dot which could have been written by Chopin into GC or even occur already in [A], but be overlooked by the engraver of FE. The lack of the sign in GE is certainly an oversight.

category imprint: Differences between sources

b. 225

composition: Op. 21, Concerto in F minor, Mvt I

Slur in A (contextual interpretation) & GE2

2 slurs in GE1 (→FEEE)

..

The slur of A, although it ends slightly earlier, is certainly supposed to embrace the entire semiquaver figuration in the L.H. in this bar and this is how it was reproduced in GE2. The division of the slur in GE1 may be a facilitation used by the engraver (in order to avoid a long slur of an atypical shape) or a proofreading, if initially it was only the bottom slur that was printed.

category imprint: Differences between sources

issues: Inaccurate slurs in A , GE revisions

b. 225

composition: Op. 21, Concerto in F minor, Mvt I

 in A

No sign in GE (→FEEE)

..

The oversight of  in the editions is certainly a mistake, perhaps provoked by lack of space due to the slur.

category imprint: Differences between sources

issues: Errors in GE

b. 225

composition: Op. 21, Concerto in F minor, Mvt I

..

Chopin precisely added accidentals in this bar, together with cautionary naturals before a1 (twice – in the R.H. in the marked place and in the L.H. at the end of the bar) and g2. The first of them seems to be superfluous in this place and it was removed already in GE2. In the main text we add a  before a2

category imprint: Differences between sources

issues: GE revisions , Cautionary accidentals

b. 225-226

composition: Op. 21, Concerto in F minor, Mvt III

..

Three naturals are missing in A – before the bottom note of the 1st octave in bar 225 and before the last quaver in bar 225 (a1) and 226 (b1). These patent inaccuracies were corrected in GE (→FEEE).

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , GE revisions , Inaccuracies in A