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b. 314
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composition: Op. 2, Variations, complete
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In the main text, we add a cautionary category imprint: Editorial revisions |
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b. 314-315
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composition: Op. 2, Variations, complete
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In the main text we keep the precise slurring of A. The slurs having been separated on the bar line was an arbitrary decision of GE (→FE,EE). category imprint: issues: GE revisions |
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b. 315
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composition: Op. 39, Scherzo in C♯ minor
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In EE there is no category imprint: Source & stylistic information issues: Errors in EE |
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b. 315
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composition: Op. 39, Scherzo in C♯ minor
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Shortening of passages compared with the 19 corresponding places was caused most probably by a limited scale of the grand piano, as when Scherzo was composed most models had a scale range up to f4. Therefore, in the main text we suggest completing the figuration in compliance with the corresponding places, thus the slur needs to be appropriately modified in RH. In EE the treble clef was omitted after the last rest. category imprint: Editorial revisions; Source & stylistic information issues: Constraint from piano range |
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b. 315-319
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composition: Op. 39, Scherzo in C♯ minor
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The slurs in the sources exemplify the figuration beginning in RH on the third beat in b. 315 and in LH in b. 316 - see the next annotation. There are also no meaningful differences between them if we omit the imprecise notation of the slur's beginning in GC and arbitrarily added slur in LH in GE. We suggest to complete the figuration based on the corresponding places also with appropriate extention of the slur and retaining both slurring variants. category imprint: Editorial revisions; Source & stylistic information issues: Inaccuracies in GC |
before d1 in the L.H. chord.
marking, which obviously is an error, as in b. 319 there is an appropriate 
marking.
