mUltimate Chopin

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 218-219

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 218

composition: Op. 22, Polonaise

2 slurs in FE (→GE,EE)

1 slur in EE
..

Just like in b. 74, of which the discussed bar is a literal repetition, in the main text we correct the unquestionably erroneous slurs of FE (→GE). An identical correction was introduced in EE.

category imprint: Editorial revisions

b. 218

composition: Op. 44, Polonaise in F♯ minor

..

In addition to the much more serious change of pitch – see the preceding note – Chopin also changed here the rhythm of the 1st beat of the bar from  to 2 quavers.

category imprint: Differences between sources

issues: Authentic corrections of FE , Dotted or even rhythm

b. 218

composition: Op. 23, Ballade in G minor

..

In A (→FE) there are no flats lowering a2(3) to a2(3). The accidentals were added both by GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE

b. 218-223

composition: Op. 23, Ballade in G minor

Long accents in A (→FE)

Short accents in GE & EE
..

GE and EE considered the longer accent under a1, exceptionally accurately reproduced by FE after A, an inaccuracy of notation. The same applies to the beginning of b. 223.

category imprint: Differences between sources

issues: Long accents , Inaccuracies in GE , EE inaccuracies