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b. 294
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composition: Op. 2, Variations, complete
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The absence of c1 in the last chord is most probably an oversight by the engraver of GE (→FE,EE) caused by the notation of A, which is not entirely clear. The presence of this note in AsI, however, is a strong argument for a similar interpretation of the notation of A. category imprint: Graphic ambiguousness; Differences between sources issues: Errors in GE , Uncertain notes on ledger lines , Inaccuracies in A |
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b. 295-296
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composition: Op. 21, Concerto in F minor, Mvt I
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The slurs of A are not entirely clear; however, it is difficult to assume that Chopin would like to end a slur before resolving the suspension, particularly since a similar measure was present already in the previous bar. In spite of this, GE1 (→FE→EE) includes slurs embracing three notes only, which was corrected in GE2. In the main text we also add a slur in the analogous figure in bar 296. category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Inaccuracies in GE , Inaccurate slurs in A , GE revisions |
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b. 295
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composition: Op. 21, Concerto in F minor, Mvt I
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In the part of the R.H. A (→GE1→FE) has only one category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 295-304
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composition: Op. 21, Concerto in F minor, Mvt III
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The slurs in the L.H. added in bars 295-296, 299-300, 302 and 304 in EE and GE2 are almost certainly an arbitrary revision. See bars 297-298. category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 295
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composition: Op. 16, Rondo in E♭ major category imprint: Source & stylistic information |
, before the 2nd semiquaver. The necessary signs for the b2 and b3 notes were added in the remaining editions.
