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b. 211

composition: (Op. 4), Sonata in C minor, Mvt IV

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In the main text we add cautionary naturals to f3, the 3rd L.H. quaver and the 5th R.H. quaver. The accidentals in the L.H. was added also in GE (→FE,EE,IE).

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 211-212

composition: (Op. 4), Sonata in C minor, Mvt IV

No fingering in A (→GE→FE,IE)

Fingering in EE
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In the main text, we do not include the inauthentic fingering added by EE.

category imprint: Differences between sources

issues: EE revisions

b. 212

composition: Op. 43, Tarantella

 
 
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In EE and IE there is no accent on the first beat of the bar.

category imprint: Differences between sources

issues: EE inaccuracies

b. 212

composition: Op. 42, Waltz in A♭ major

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The sign added in FED, a vertical line, probably underlines the necessity to separate the ending unisono phrase from the following refrain.

category imprint: Graphic ambiguousness; Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 212

composition: Op. 35, Sonata in B♭ minor, Mvt I

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FE has a g as the bottom note of the 1st crotchet in the bar. This patent mistake was corrected in the base text to EE. GC (→GE) also includes the correct f.

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE , Authentic corrections of EE