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b. 212-213
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composition: Op. 21, Concerto in F minor, Mvt III
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It is unclear whether Chopin wanted to combine the last crotchet in bar 212 with the first one in bar 213 with a slur. In all sources, bar 212 ends a line of the text, which is conducive to inaccuracies – it could explain both the absence of the slur in A and no ending of the slur added in bar 212 in GE1 (→FE→EE). In GE2 the unfinished slur was regarded as a mistake and it was omitted. However, taking into account the fact that the slur of GE1, in spite of its imprecision, could have been added by Chopin, in the main text we include it in a form compliant with the authentic slur in analogous bars 204-205 (we add brackets due to the uncertainty of the source issue). category imprint: Differences between sources issues: Errors in GE , GE revisions , Authentic corrections of GE |
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b. 212-213
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we add cautionary naturals before b on the 4th beat of bar 212 and at the beginning of bar 213. category imprint: Editorial revisions |
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b. 212
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing accent in GE is probably an oversight of the engraver of GE1, although the mark could have also been added only just in the last proofreading of FE. category imprint: Differences between sources issues: Errors in GE |
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b. 212-213
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composition: Op. 11, Concerto in E minor, Mvt III
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The fingering of FED in bar 216 expands upon the indication from bar 212; hence, in the main text we give it together already for the first time. Similarly, the digit written in FEH in bar 213 complements the indications from bar 212. The fingerings in those copies differ in the first digit only; however, it may mark a different fingering of the entire sequence of semiquavers, since the digits in FED may be ascribed both to the left and right hand. In the former, the continuation would be the same as in FEH, while in the final part, perhaps the same as in EE. In the latter, the continuation (with the L.H.) could be completely different – category imprint: Differences between sources; Editorial revisions issues: EE revisions , Annotations in FED , Differences in fingering , Annotations in FEH |
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b. 212
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composition: Op. 16, Rondo in E♭ major
category imprint: Interpretations within context; Editorial revisions issues: Inaccuracies in FE |
– although, obviously, it is not the only possibility. Generally, comparison of the fingering of those three sources is based mainly on assumptions, since the ranges of particular indications do not overlap, or they overlap to a negligible extent.
in 
