Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 211-214

composition: (Op. 4), Sonata in C minor, Mvt I

No fingering in A (→GEFE,IE)

Fingering in EE

..

In the main text we do not include the inauthentic fingering added by EE.
See also bars 215-218, 219-221, 224 and 227.

category imprint: Differences between sources

issues: EE revisions

b. 211-215

composition: (Op. 4), Sonata in C minor, Mvt I

..

In A in bars 211-214 and in the 1st half of bar 215 the accidentals in the R.H. part are generally put only to the top note of an octave. There are exceptions: the f1-f2 octaves in bar 212 and d2-d3 in bar 214, in which the sharps are next to the bottom notes only, and the b1-b2 octave in bar 213, with both naturals. All necessary accidentals were added by GE (→FE,EE,IE).

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , GE revisions , Inaccuracies in A

b. 211

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In the main text we add cautionary naturals to f3, the 3rd L.H. quaver and the 5th R.H. quaver. The accidentals in the L.H. was added also in GE (→FE,EE,IE).

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 211-212

composition: (Op. 4), Sonata in C minor, Mvt IV

No fingering in A (→GEFE,IE)

Fingering in EE

..

In the main text, we do not include the inauthentic fingering added by EE.

category imprint: Differences between sources

issues: EE revisions

b. 212

composition: Op. 43, Tarantella

 
 
..

In EE and IE there is no accent on the first beat of the bar.

category imprint: Differences between sources

issues: EE inaccuracies