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b. 292-293
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composition: Op. 11, Concerto in E minor, Mvt I
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Fontana's fingering in EE is most probably compliant with the one written in FEH, which, however, does not influence the evaluation of authenticity of any of them. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 292-294
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composition: Op. 11, Concerto in E minor, Mvt III
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Both the length of the majority of the accents and their placement, not over the note, but slightly after it (cf. a typical short accent, e.g. in bar 284), indicate the use of long accents by Chopin. However, in EE and GE3, it is difficult to consider the marks to be long in spite of the fact that their asymmetrical placement was preserved. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Inaccuracies in GE |
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b. 292
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources |
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b. 292
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composition: Op. 44, Polonaise in F♯ minor
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Like in b. 59, in the main text we add an arpeggio on the basis of a comparison with b. 33 and 109. category imprint: Editorial revisions |
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b. 292-293
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composition: Op. 2, Variations, complete
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As previously, in GE (→FE,EE) the staccato markings were standardised by replacing the dots with wedges. It must be an arbitrary decision of the publisher. category imprint: Differences between sources issues: Inaccuracies in GE , Wedges |
