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b. 8

composition: Op. 30 No. 2, Mazurka in B minor

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In FE the last R.H. note is a crotchet, as a result of which the bar includes 7 quavers. In the main text we correct this mistake after the FC notation (→GE); this version is also in EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Rhythmic errors , Authentic corrections of FC

b. 8

composition: Op. 63 No. 2, Mazurka in F minor

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We add a cautionary  before g in the main text. The accidental was also added in GE. Similarly in bar 48.

category imprint: Differences between sources

issues: GE revisions

b. 8-9

composition: Op. 63 No. 2, Mazurka in F minor

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In As one can see a tie to the c1 minim in bar 8, sustaining it to the grace note in the next bar. Chopin eventually deleted it; however, it proves that he was considering this operation (not found in other pieces) – an unplayed grace note – and that it could have been used as diversification in bars 48-49 in the final version.

category imprint: Corrections & alterations; Source & stylistic information

issues: Main-line changes

b. 8

composition: Op. 63 No. 1, Mazurka in B major

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We add a cautionary  before e1 in the main text. The accidental was also added in GE3.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 8

composition: Op. 2, Variation IV, primitive version

Repetition of b. 1-8 in AsI

No repetition of b. 1-8 in A

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In AsI the first 8 bars are repeated, which is indicated by two versions (volte) of bar 8, out of which the first one constitutes a link between bar 7 and 1, while the other is a counterpart of bar 8 in A. There are no standard repeat signs; Chopin only placed a double bar line after bar 8 (1. volta) (in this manuscript all repetitions are marked in a way similar to this).
A similar situation is to be found in bars 9-24.

category imprint: Differences between sources; Corrections & alterations

issues: Changed phrase length