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b. 8

composition: Op. 63 No. 1, Mazurka in B major

No indication in AI

cresc. in FE (→GE,EE)

category imprint: Differences between sources; Corrections & alterations

b. 8-9

composition: Op. 63 No. 1, Mazurka in B major

Slur e1-f1 in AI, literal reading

Slur g1-f1 in AI, contextual interpretation

No slur in FE (→GE,EE)

category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations

b. 8

composition: Op. 2, Variations, complete

f1 quaver in AsI (later version)

f1 crotchet in A (→GEFE,EE,FESB)

..

The version in which the last f1 of the upper voice is a quaver comes from the later of the two versions of the orchestral introduction recorded in #ApI – see bars 1-8. This is a holdover from the earlier version that ends with the motif g1-f1 in the  rhythm. In the main text we provide the final version of A and the first editions.

category imprint: Differences between sources; Corrections & alterations

b. 8

composition: Op. 49, Fantaisie in F minor

c1 in chord in A (→GE) & FE2 (→EE)

No c1 in FE1

..

The missing c1 in FE1 is most probably an oversight by the copyist or by the engraver. The mistake was corrected – most probably at Chopin's request – in FE2 (→EE).

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 8-9

composition: Op. 49, Fantaisie in F minor

..

In A in bar 8, which ends the line, the slur reaches only the f2 semiquaver, which does not correspond to the slur at the beginning of bar 9, which clearly suggests that it should be continued. All the remaining sources include a continuous slur here.

category imprint: Graphic ambiguousness; Source & stylistic information

issues: Uncertain slur continuation , Inaccuracies in A