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b. 8-9
In As one can see a tie to the c1 minim in bar 8, sustaining it to the grace note in the next bar. Chopin eventually deleted it; however, it proves that he was considering this operation (not found in other pieces) – an unplayed grace note – and that it could have been used as diversification in bars 48-49 in the final version.
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category imprint: Corrections & alterations; Source & stylistic information
issues: Main-line changes
notation: Rhythm