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b. 207

composition: Op. 43, Tarantella

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In all the sources redundant  was added before dotted quaver c1 the RH part.

category imprint: Editorial revisions

b. 207-208

composition: Op. 43, Tarantella

 
 
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In GE3 (→GE4) e2 was arbitrarily tied to the next bar.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 207-209

composition: Op. 42, Waltz in A♭ major

in EE

No indication in FE (→GE)

Our variant suggestion
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Chopin probably added the dim. indication in the base text to EE.

category imprint: Differences between sources

issues: Authentic corrections of EE

b. 207

composition: Op. 35, Sonata in B♭ minor, Mvt I

Chord with f in GC (→GE) & FE1 (→FE2)

Chord without f in FE1 (→FE2) & EE
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The version with f, present in GC (→GE) and the first impressions of FE, is the original version. Chopin removed f in the proofreading of FE3 (→FE4) and in the base text to EE.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE , Authentic corrections of EE

b. 207

composition: Op. 35, Sonata in B♭ minor, Mvt I

No accidental in the sources (g1)

g1 specified by the editors

g1 as our alternative suggestion
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The version written in the sources, in which the absence of cancellation of the  lowering g1 to g1 imposes to interpret the melodic sound in the last chord as a g1, must be considered to be potentially intended by Chopin. However, a possible oversight of a  is highly likely, as this kind of oversights belongs to the most common inaccuracies of Chopin's notation, whereas a diminished four-note chord – to his favourite chords.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: Omissions to cancel alteration , Errors of A