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b. 286
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composition: Op. 16, Rondo in E♭ major
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We add a cautionary category imprint: Editorial revisions |
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b. 286
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composition: Op. 44, Polonaise in F♯ minor
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The absence of the mark in EE1 is most probably an oversight of the engraver, corrected in EE2 (→EE3). category imprint: Differences between sources issues: EE revisions , Errors in EE |
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b. 287
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composition: Op. 39, Scherzo in C♯ minor
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The accent form intended by Chopin is hard to determine: it is rather short in EE and rather long in FE and GE. The accent in GC can be interpreted both ways. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents |
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b. 287
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composition: Op. 42, Waltz in A♭ major
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In EE the pedal release mark was placed slightly earlier, after the 1st crotchet. To the main text we adopt the notation of FE, where the sign was placed after the last rest. The lack of sign in FEG, though not infrequent at the end of Chopin's works, in this case should be regarded as an imprecision. category imprint: Differences between sources issues: Authentic corrections of FE , Authentic corrections of EE |
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b. 287
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composition: Op. 21, Concerto in F minor, Mvt I
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Same as in analogous bar 139, in A Chopin overlooked the category imprint: Interpretations within context; Editorial revisions issues: Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , Errors of A |
before g in the main text.
in 
returning a
1, which remained unnoticed in all editions.