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b. 206
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composition: Op. 22, Polonaise
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Due to the graphic retouches of this fragment of the page in GE1a, the accent under the b category imprint: Differences between sources |
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b. 206-209
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composition: Op. 44, Polonaise in F♯ minor
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In accordance with the explanation in the note to b. 127, in the main text we follow FE and suggest adding slurs (in square brackets). We also add staccato dots (see the adjacent note). category imprint: Differences between sources; Editorial revisions issues: Authentic corrections of FE |
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b. 206-209
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composition: Op. 44, Polonaise in F♯ minor
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In accordance with the explanation in the note to b. 127, in the main text we suggest adding articulation markings (in square brackets) after b. 127-130 and 147-148. We also add slurs (see the adjacent note). category imprint: Editorial revisions |
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b. 206
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composition: Op. 23, Ballade in G minor
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In A, the slur that began in the previous bar (at the end of a line) was not continued here. This inaccuracy, so frequent in Chopin's works, was repeated by FE (→GE). We reproduce this incomplete, clearly erroneous version only in the graphic transcription, except for GE4, in which it was also the beginning of this slur in b. 205 that was removed. The ending of the slur was added only by EE. category imprint: Differences between sources; Source & stylistic information issues: EE revisions , Inaccurate slurs in A , Uncertain slur continuation , Errors repeated in GE , Errors repeated in FE |
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b. 206-207
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composition: Op. 23, Ballade in G minor
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We consider the missing staccato dot in b. 206 to be Chopin's inadvertence – there is no reason for the articulation of the crotchets in this bar to differ from the one indicated in A in b. 207. The absence of a dot in FE (→GE,EE) also in b. 207 must be an oversight by the engraver. category imprint: Differences between sources; Editorial revisions issues: Errors in FE |
2 quaver was overlooked, which was also repeated in 
