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b. 268
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composition: Op. 44, Polonaise in F♯ minor
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As was the case with category imprint: Differences between sources |
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b. 268-281
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composition: Op. 44, Polonaise in F♯ minor
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In b. 268-277 and 279-281, in the main text we include the pedal markings of GE, entered probably into [A] after [FC] had been finished. See also b. 271 and 278. category imprint: Differences between sources |
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b. 268-273
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composition: Op. 44, Polonaise in F♯ minor
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As before, in FE (→EE) the octaves at the beginning of b. 268-271 and on the 2nd beat of b. 272-273 are written in a way that an entire octave is encompassed with the stem of the bottom voice quaver, and it is only the top note that is provided with an additional crotchet stem. It must be a mistake, which is evidenced by the dots prolonging both notes of the octaves in b. 270-273. To the main text we adopt the notation of GE, which is undoubtedly correct. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 268
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composition: Op. 2, Variations, complete
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The triplets in the 2nd half of the bar are written in A (→GE1→FE,EE) as demisemiquavers instead of semiquavers. The mistake was corrected by GE2 (→GE3,FESB). category imprint: Interpretations within context; Differences between sources issues: GE revisions , Rhythmic errors , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 268
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composition: Op. 2, Variations, complete
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In accordance with the General Editorial Principles, p. 16, in the main text we omit the 4 slurs present in the majority of the sources; these slurs are part of the triplet markings, and they unnecessarily overlap the articulation slurs of the same range. The slurs were also omitted by FESB. category imprint: Differences between sources; Editorial revisions issues: FE revisions , Triplet slurs |
in 
in b. 261 and with 
in b. 267, another missing dynamic marking in 
