b. 263
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composition: Op. 21, Concerto in F minor, Mvt III
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FE has an erroneous e as the 2nd quaver. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Terzverschreibung error |
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b. 263-265
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we include the correction of the phrasing written by Chopin in FED, which we consider rather a proofreading of the erroneously interpreted slur of [A] than a change of the slurring's concept. At the same time, we interpret the fact of the slurs coinciding at the beginning of bar 264, which could also reproduce the notation of [A] inaccurately, as a continuous slur, like it was written in the first element of the progression (bars 239-240). Both in GE1 (→GE2) and GE3, the shorter slur over bar 263 seems to be an inaccuracy. category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: Annotations in teaching copies , Annotations in FED , Inaccuracies in GE |
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b. 263-264
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composition: Op. 11, Concerto in E minor, Mvt I
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The missing slurs over the accompanying quaver figures must be considered to be an inaccuracy in this context. The slurs were added in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 263
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composition: Op. 16, Rondo in E♭ major
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A slightly earlier beginning of the hairpin in EE could result from an inaccuracy or a routine revision. category imprint: Differences between sources issues: EE inaccuracies |
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b. 263
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composition: Op. 11, Concerto in E minor, Mvt III
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FE is missing a lowering g1 to g1. The context of the preceding G major scale points to Chopin's oversight, one of a few in this and the next few bars. The accidental was added both in GE and EE. The fact that Chopin heard g1 in the last triplet is supported by bar 265, in which the same motif is used, written in all sources with a before the respective note. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Omission of current key accidentals |