



b. 190
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composition: Op. 11, Concerto in E minor, Mvt I
..
The version of GE1 (→GE2) – certainly erroneous, cf. bars 186, 541 and 545 as well as 182 and 537 – probably came into being as a result of an overzealous action of the reviser who added here cautionary naturals before the g2 grace notes. The mistake was corrected in GE3. category imprint: Differences between sources issues: GE revisions |
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b. 190
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composition: Op. 11, Concerto in E minor, Mvt I
..
Fontana's fingering is almost certainly identical with the indication in FED, stemming from a lesson with Chopin. In that copy, apart from the evident digit '2,' written twice in a way typical of FED, first by Chopin, then by Madame Dubois, there is a visible delicate line next to the a category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED |
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b. 190
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, there is no accidental before the penultimate semiquaver. In this situation, the absence of a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals |
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b. 190
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composition: Op. 16, Rondo in E♭ major category imprint: Editorial revisions issues: Long accents , Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies |
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b. 190
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composition: Op. 22, Polonaise
..
Like in b. 46, of which the discussed bar is a literal repetition, we add a category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |