



b. 190-196
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composition: Op. 49, Fantaisie in F minor
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In A a line ends in bar 190. The ending of the slur over the R.H. part clearly suggests that it should be continued; however, there is no ending, neither in the next line, encompassing bars 191-195, nor further, in bar 196. In GE the ending of the slur in bar 190 was considered inaccurate, and the slur was led only to the last quaver, a category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , Authentic corrections of FE , Uncertain slur continuation |
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b. 190
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composition: (Op. 4), Sonata in C minor, Mvt IV
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As in bar 7, in the 2nd half of the bar A does not include any accidentals, while the sharps raising all f notes (in various octaves) to f category imprint: Differences between sources issues: GE revisions |
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b. 190
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text we suggest adding a slur after analogous bar 7, marked more accurately. Similarly, in bar 373. category imprint: Editorial revisions |
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b. 191
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composition: Op. 43, Tarantella category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 191
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composition: Op. 38, Ballade in F major
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In A the inner note of the last chord in the L.H. is barely visible, therefore, in EE it was omitted. category imprint: Graphic ambiguousness; Differences between sources; Source & stylistic information |