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b. 189

composition: Op. 50 No. 3, Mazurka in C♯ minor

No mark in AI & AF (→FE→EE)

Staccato dot in GE
..

The staccato dot is probably a clarification introduced into [AG] (→GE).

category imprint: Differences between sources; Corrections & alterations

b. 189

composition: Op. 2, Variations, complete

..

The flat restoring B is present only in AsI and FESB.

category imprint: Interpretations within context; Differences between sources

issues: Omissions to cancel alteration , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE , Revisions in FESB

b. 189

composition: Op. 2, Variations, complete

Demisemiquavers in AsI

Rhythm with rest in A (→GE→FE,EE,FESB)
..

Chopin diversified the L.H. figuration in terms of rhythm and articulation in A (→GE→FE,EE,FESB). The idea must have been conceived before the place was written down in A, since there are no traces of corrections.

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes , Dotted or even rhythm

b. 189

composition: Op. 2, Variations, complete

 in AsI
..

As in b. 184 and 188, none of the sources includes an accidental that would specify the sound of the mordent's top note. The prevailing key in b. 184-190, F major, requires the use of e, which we indicate in the main text with a natural.

category imprint: Editorial revisions

issues: Omission of current key accidentals

b. 189

composition: Op. 23, Ballade in G minor

..

category imprint: Differences between sources; Source & stylistic information

issues: Abbreviated notation of A