



b. 162
|
composition: Op. 2, Variations, complete
..
The third (e) of the seventh chord present in AsI having been replaced with a g fifth seems to be the composer's mistake rather than an intended change. It is indicated by:
In this situation, in the main text we adopt the version of this chord written down in AsI, adding a category imprint: Differences between sources issues: Errors of A |
|||||
b. 162
|
composition: Op. 2, Variations, complete
..
The correction entered into AsI on the 2nd quaver in the previous bar, which allows to avoid a situation in which c1 is played simultaneously by both hands, makes us think that Chopin wanted to change accordingly the 2nd quaver in the discussed bar too already back then; however, he implemented it only just in A. category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes |
|||||
b. 162
|
composition: Op. 49, Fantaisie in F minor
..
In the main text we add a cautionary category imprint: Editorial revisions |
|||||
b. 162-163
|
composition: Op. 49, Fantaisie in F minor
..
Chopin must have added the two pedal changes within this two-bar section to [FC] or while proofreading FE1. The comparison with analogous bars 75-76 and 242-243 suggests that Chopin committed a mistake while writing the A pedal markings concerning the discussed bars, confused by the L.H. part shorthand notation. category imprint: Differences between sources issues: Authentic corrections of FE |
|||||
b. 162-163
|
composition: Op. 49, Fantaisie in F minor
..
The second L.H. figure in bar 162 and both in bar 163 were written in A with the use of shorthand notation with / marks. In GE and FE (→EE) they were written out in full. category imprint: Differences between sources; Source & stylistic information issues: GE revisions , Abbreviated notation of A , FE revisions |