



EE1
compare
The correction entered into AsI on the 2nd quaver in the previous bar, which allows to avoid a situation in which c1 is played simultaneously by both hands, makes us think that Chopin wanted to change accordingly the 2nd quaver in the discussed bar too already back then; however, he implemented it only just in A.
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations
issues: Accompaniment changes
notation: Pitch