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b. 162

composition: (Op. 4), Sonata in C minor, Mvt I

f1 repeated in A

f1 tied in GE (→FE,EE,IE)
..

The version with tied f1 is due to an arbitrary revision of GE (→FE,EE,IE), perhaps introduced under the influence of bar 161, which features a slur of a similar range. Repeating f1 cannot be a mistake – similar six-note motifs starting from a repeated note are also present in bars 160-161 and 163-166.

category imprint: Differences between sources

issues: GE revisions

b. 162-163

composition: (Op. 4), Sonata in C minor, Mvt IV

Slur from 2nd quaver in A (→GE→EE,IE)

Slur from 1st quaver in FE
..

The slur having been shifted by a quaver is most probably an inaccuracy by the engraver of FE, one of a few in this fragment.

category imprint: Differences between sources

issues: Inaccuracies in FE

b. 162-163

composition: (Op. 4), Sonata in C minor, Mvt IV

5 in A (→GE→FE,IE)

254 & 5 in EE
..

In the main text, we do not include the inauthentic L.H. fingering added by EE.

category imprint: Differences between sources

issues: EE revisions

b. 163

composition: Op. 43, Tarantella

 
 
..

The d1 in RH by mistake is a dotted crotchet in FC3 (→FE→IE) and EE. We present the A and GE versions that raise no doubts.

In RH we add cautionary  before d1. A similar addition was introduced in EE. 

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions , Errors of FC

b. 163

composition: Op. 26 No 2, Polonaise in E♭ minor

 

No marking in FE (→GE1,EE)
 
..

The absence of  in FE (→GE1,EE) is an oversight of the engraver, revised in the subsequent GE.

category imprint: Differences between sources

issues: Errors in FE , GE revisions