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b. 153
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composition: Op. 43, Tarantella
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In A at the beginning of b. 153 (and b. 161 marked as repeat) third c1-e category imprint: Interpretations within context; Differences between sources; Editorial revisions |
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b. 153
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composition: Op. 43, Tarantella category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 153
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composition: Op. 43, Tarantella
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In GE1 in b. 153 there is no category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 153-154
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composition: Op. 38, Ballade in F major
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GC and EE overlook the slur in the L.H. Despite the error of GC, the revisers of GE added the slur after analogous bars 145-146, which do not raise any doubts. category imprint: Differences between sources issues: Errors in EE , GE revisions , Errors of GC |
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b. 153-155
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composition: Op. 38, Ballade in F major
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Discontinuous slurs in FE and EE are probably inaccurate due to the line breaks in A and FE. The engraver of FE presumably reproduced a slur over the last two bars in a line, what corresponds to bars 153-154 in A, but 154-155 in FE. The slurs in EE result most likely from misinterpretation of a slur which is notated over two lines in A. category imprint: Differences between sources issues: Inaccuracies in FE , EE inaccuracies |
1 is not dotted. Such notation seems more natural to accomodate the phrasing, so we retain it in the main text, even though in corresponding b. 149 (157) there are augmentation dots. Compare annotation in 
before f1 in RH. Similar addition was made in 
dynamic marking on the first beat.
