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b. 200
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composition: Op. 35, Sonata in B♭ minor, Mvt II category imprint: Differences between sources |
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b. 200
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In the main text, we add cautionary naturals before the f2-f3 crotchet. category imprint: Editorial revisions |
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b. 200-206
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composition: Op. 19, Bolero
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In bars 200-245, FE (→EE) has significantly fewer performance markings than in corresponding bars 88-133. In GE, the majority of them was most probably added by the reviser. Some of them are organically related to the sound image of the music ( category imprint: Differences between sources; Editorial revisions |
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b. 200-201
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composition: Op. 21, Concerto in F minor, Mvt III
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The staccato dots at the beginning of the bars, in A written between the notes, were ignored both by the engraver of GE1 (→FE→EE) and the reviser of GE2. The signs are very small, since Chopin apparently did not want them to be confused with note heads. category imprint: Differences between sources issues: Errors in GE |
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b. 200
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we add a cautionary category imprint: Editorial revisions |
1 in 
in the L.H. in bar 204 and analog.) or its course (a tempo in bar 230), so adding them certainly is not contrary to the composer's intentions (it cannot be excluded that Chopin accepted them himself, while reviewing 
before e3.