



b. 152
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composition: Op. 22, Polonaise
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In FE, there are no naturals before the bottom voice d1/2/3 notes. The last one is absolutely necessary; in spite of that, it was not added in any of the subsequent editions, in which the additions were limited to a category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Cautionary accidentals , Errors repeated in GE , Errors repeated in EE |
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b. 152
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composition: Op. 23, Ballade in G minor
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We add a cautionary category imprint: Editorial revisions |
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b. 152
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composition: (Op. 4), Sonata in C minor, Mvt I
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The version featuring c2 introduced by GE (→FE,EE,IE) must be erroneous. Bars 151-153 are filled with a dialogue between diatonic motifs in the keys of E category imprint: Differences between sources issues: GE revisions |
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b. 152-153
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A Chopin omitted a few necessary accidentals – in bar 152 the flats to g category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A |
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b. 152
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composition: Op. 12, Variations in B♭ major
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As in the preceding bar, in EE a completely apparent fingering digit was added over the 2nd semiquaver. On the other hand, two other digits were omitted in the ending of this phrase. The erroneous digit in GE could be explained by the engraver's mistake or, which seems more likely, by a later correction of a mistake committed first in FE and repeated in GE. category imprint: Differences between sources issues: EE revisions , Errors in EE , Errors in GE , Authentic corrections of FE |