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b. 147
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composition: Op. 21, Concerto in F minor, Mvt I
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The slur under the sextuplet, visible in A, was replaced with a phrase mark of a greater range in GE (→FE→EE) (the inaccurately engraved ending of this slur was corrected both in FE and GE2). The visible traces of corrections show that initially the slur started already from the d category imprint: Differences between sources issues: Inaccuracies in GE , Authentic corrections of GE , Triplet slurs , Corrected slurs of Op. 21 in GE1 |
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b. 147-148
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composition: Op. 21, Concerto in F minor, Mvt I
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The missing cresc. - - is certainly a mistake of GE (→FE→EE), perhaps caused by sempre più stretto having been placed between the staves, hence in a place where cresc. should be. category imprint: Differences between sources issues: Errors in GE |
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b. 147
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we suggest adding a long accent after the accents in the two previous bars, particularly after the strictly analogous one in the R.H. part in bar 145. All three bars were provided with accents added in FEH, which may reflect lessons with Chopin. category imprint: Editorial revisions |
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b. 147
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we add a cautionary category imprint: Editorial revisions; Source & stylistic information issues: Cautionary accidentals |
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b. 147
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composition: Op. 22, Polonaise
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Just like in b. 139, in the main text we add a cautionary category imprint: Editorial revisions |
2 quaver. The last correction was certainly performed by Chopin; it cannot be excluded that the very addition of the slur was inspired by him. 
] suggested by the editors
before f
. In an analogous situation in bar 146, a 
before g2.