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b. 193

composition: Op. 21, Concerto in F minor, Mvt I

..

The  raising d2 to d2, overlooked in A, was added already in GE1 (→FE→EE, →GE2).

category imprint: Interpretations within context; Differences between sources

issues: GE revisions , Omission of current key accidentals , Inaccuracies in A

b. 193

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE

Fingering written into FEH
..

Both source fingerings are generally concordant – the only doubt concerns the continuation of the fingering in the L.H. in FEH (the concordance is perfect with complementary indications in analogous bar 548). However, their possible authenticity is uncertain.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

b. 193

composition: Op. 11, Concerto in E minor, Mvt I

No mark in sources

Accent suggested by the editors
..

In the main text, we suggest including the accent placed in the respective bar in the recapitulation (bar 548). 

category imprint: Editorial revisions

b. 193-195

composition: Op. 16, Rondo in E♭ major

..

In the main text, we add cautionary naturals​​​​​​​ before d2 in bar 193, and d1 in bar 195.

category imprint: Editorial revisions

b. 193-194

composition: Op. 38, Ballade in F major

Slurs from 5th quaver in A

Slur from 4th quaver in GC (→GE)

No slurs in FE

Slurs from 4th quaver in EE
..

In GC (→GE), the missing second slur in bar 193 is undoubtedly an oversight. The second slur in bar 194 encompasses – in distinct contrast to A – the entire 2nd half of the bar. Three-note slurs in the 2nd halves of these bars occur also in EE. The slurs in A pertain clearly to the last two quavers, and their relatively long ends were presumably meant to distinguish them from semiquaver beams in the R.H.
FE overlooked both slurs.

category imprint: Differences between sources

issues: EE revisions , Errors in FE , Inaccuracies in GC , Errors of GC