



b. 146
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composition: Op. 12, Variations in B♭ major
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To the main text we adopt the EE variant, considering the absence of the 3rd wedge in FE to be an oversight, after comparing it with bar 145. category imprint: Differences between sources issues: EE revisions |
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b. 146
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composition: (Op. 4), Sonata in C minor, Mvt I
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As was the case 2 bars ago, one can be certain that the A slur is inaccurate, hence in the main text we suggest a slur whose range results from the comparison of analogous figures. The longer slur of the editions can be considered an equal variant. category imprint: Differences between sources; Editorial revisions issues: Inaccurate slurs in A , GE revisions |
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b. 146-147
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In each of these bars, A does not contain accidentals to the last L.H. chord. Chopin also omitted the category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Errors repeated in EE |
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b. 146
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composition: (Op. 4), Sonata in C minor, Mvt IV
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Viewed in isolation, the staccato mark over the e category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Errors in EE , Wedges |
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b. 146-147
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composition: Op. 12, Variations in B♭ major
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In the main text, we change, by way of exception, the notation of the tied f quaver in bar 146. The version with a crotchet is typical of Chopin; he would often write down such notes with the help of an additional rhythmic value exceeding the scope of a bar (e.g. at the beginning of the Etude in A category imprint: Editorial revisions |